About Me

I’m a spunky actor hailing from London, England who moved here to train at Tisch, NYU... and then stuck around (thank you parents for the dual citizenship). I love story-telling in all forms so my resume is an eclectic mix of musical theatre, shakespeare, wacky physical comedies, grittier contemporary plays, plus i play piano/ukulele/accordion, am a working voice over artist who works in commercial, animation and audiobooks, and as of September 2020, i am an equity delegate who is delighted and humbled by the chance to support and serve the theatrical community


That’s probably enough of me nattering on about myself so here are some kind things other people have written about me:

for molly aster in peter and the starcatcher


“She is a delightful mix of fearlessness and naiveté. Her magnetic charisma and the ever-present sparkle in her eye are undoubtedly two of the show's strongest assets” 

- Matt Tamanini, BROADWAYWORLD


“Katrina Michaels loads spunk, sweetness and a disarming genuineness to her role of Molly Aster”



“It's Katrina Michaels' Molly who becomes the most interesting character as she navigates budding adulthood, following her heart and stepping out of her father's protective shadow. Michaels' spirited and touching performance is what gives this merriment its heart.”


"Petite and winsome, Michaels lights up the stage with her crackling energy, sparking each scene with sass and savvy, keeping the energy up and the storyline moving forward.  She's a treat to watch"

- Michael J. Curtiss, Caught in the act

for viola in twelfth night

 "Katrina Michaels is a standout, full of energy and passion"

nancy burns-fusaro, westerly sun

for pinkie in hoi polloi

Pinkie, is played with sweet feistiness by Katrina Michaels, who sings like a lark."

-peter haas, theaterpizzazz


for a cabaret performance at 54 below

Katrina Michaels walked away with [the show] doing a truly hilarious take on “Miller’s Son”… It was really quite an astonishing performance that showed a polish that quite belied her years. She pantomimed out the entire song at blinding speed, which – combined with her wonderfully animated expressions and excellent singing – was a pure Dickensian delight”.

- Susie Mosher (54 Below Host), NY DAILY NEWS 

for ruth in tribes


“Katrina Michaels whiplashes from petulant to pathologically pretentious”


for fraulein kost in cabaret


“Katrina Michaels luxuriates in the brazenness of Fraulein Kost”

- Christine Dolan, MIAMI HERALD


“Katrina Michaels is exceptional as Fraulein Kost, who employs whimsy and wry charm to give her character of a prostitute some real oomph.”


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